The design explores glare as an intentional element while ensuring visual comfort through a strategic layering of materials. Two layers of colored acrylic are introduced to regulate light transmission, diffusing its intensity without eliminating its presence. This layered approach allows for controlled glare, creating a dynamic yet balanced lighting effect. The light is further manipulated by reflecting onto suspended light-absorbing and light-reflecting square surfaces, which are deliberately positioned to capture and redirect illumination throughout the space. Each layer of the glass block contributes distinct visual effects enhancing reflections on the floating surfaces. This interplay results in an ever evolving composition of highlights and shadows, reducing discomfort while preserving the brilliance of glare as a design tool. The result is a spatial experience that is both visually striking and comfortable, where light is sculpted to create depth, movement, and intrigue. This design aligns with the theme of the IES Competition 2025: A Sight for Sore Eyes by transforming glare into a controlled, artistic element that enhances both visual comfort and spatial intrigue. The use of colored acrylic layers allows for nuanced light diffusion, reducing harshness while introducing a dynamic interplay of tinted reflections. By directing light onto suspended absorptive and reflective surfaces, the installation creates a constantly shifting composition of color, shadow, and highlights. Each layer of glass block and acrylic interacts uniquely with the light, producing varied effects that soften glare without eliminating its vibrancy. This careful orchestration of color and light not only mitigates visual fatigue but also fosters an immersive, sensorial experience—where light is both a functional and expressive medium.