Glare is often seen as a flaw or an excess of light that disrupts comfort. But what if, instead of avoiding it, we engaged with it as a means of deeper perception? This study explores glare not as an unwanted byproduct of illumination but as an active force that shapes how we see and experience light. Discomfort forces us out of habitual perception and into a state of heightened awareness. Some phenomenological philosophers argue that sensory disruption compels us to recalibrate our senses, deepening our engagement with the world. Here, glare is not something to be endured but something to be navigated; it pulls the eye through layers of reflection, concealment, and color. The overwhelming brightness is not an obstacle but an invitation. It turns discomfort into curiosity and passive viewing into discovery. This interplay between visibility and concealment echoes 18th-century philosopher Edmund Burke's notion of the Sublime, a concept in which intense sensory experiences first create unease before giving way to awe. In this model, glare is both an interruption and a revelation, unsettling perception but expanding it. Rather than mitigating glare, this work reframes it as an aesthetic experience that challenges vision, sharpens awareness, and transforms visual disturbance into wonder.